Sasha playing a DJ set using Ableton Live running on an iMac G5. In addition to the instruments mentioned above, Live can work with samples. Live attempts to do beat analysis of the samples to find their meter, number of bars and the number of beats per minute. Ableton Live is a gold standard for creating and performing EDM, electronic, and other types of music. Though it is a fully capable digital audio workstation (DAW) in terms of recording — and Ableton 11 includes multitrack comping as well — it is these live features that really set it. Setting Ableton's Limiter The limiter is going to add some control over the main volume coming out of your master channel and is arguably the most important effect when you mater your dj mix in Ableton. However, it won't compensate for the volume levels of. Apr 20, 2021 John Type, a DJ and producer based out of Italy + long-time turntablist and electronic musician, has discovered a unique way to play and sequence a vinyl record as a synthesizer using the new features available in Ableton Live 11 in his latest YouTube video. In a new video, his setup uses vinyl records that.
This tutorial demonstrates how to bounce audio in Ableton Live and explains the differences between resampling audio and freezing and flattening audio.
Ableton is fast becoming the tool of choice for the digital DJ and has just about every tool you could ask for when putting together a live show or DJ set. One of the most important parts of getting things right on the night is syncing individual beats or entire tracks and if you want to get things 100% locked down the best strategy is to warp.
At some point in your project, you may want to resample audio for various reasons. Ableton Live offers three ways to bounce source material to audio. You can export a track via Live's ‘Export Audio/Video' command, or you can resample audio using either the ‘Resampling' command and the ‘Freeze Track' and ‘Flatten' commands. For this tutorial, we will look at the benefits of bouncing audio and then compare the differences of bouncing audio using the ‘Resampling' command and the ‘Freeze Track' and ‘Flatten' commands.
Bouncing Audio Benefits
There are several beneficial reasons for bouncing audio. Below are just a few common reasons you may consider bouncing audio.
Conserve CPU Usage
Using a lot of instruments and audio effects in your project can quickly overload CPU resources. Bouncing tracks to audio is an invaluable approach to freeing up CPU usage or memory limitations.
Creative Reasons
There are many more creative possibilities available when working with audio vs. working with MIDI. Audio is extremely flexible and allows you to do fun things in Live such as reversing, time-stretching, slicing, resampling, and many other artistic editing approaches.
Progressive Workflow
Bouncing tracks to audio commits your ideas and crystallizes your focus. When working with MIDI, it can be easy to fall into a vicious cycle of continuously changing things, essentially slowing down your workflow. Committing your ideas gives you direction and momentum to move forward and complete projects.
Visualization
Having the ability to visualize audio waveforms is much more helpful than looking at MIDI notes. With audio, you can hone in on the waveform and make ultra-precise editing moves such as applying fades to remove pops and clicks, adjusting the timing, observing waveform levels, investigating sound problems, and more.
Saving for Future Projects or Collaborating
Audio files are much more manageable and easier to save for future projects. In addition, you may want to work on another computer or collaborate with someone that may not have the same plugins you used or even find that you lost an instrument's' preset in a crash. Audio files ensure you always have your sounds ready to go anywhere and on any computer.
Resampling Audio
Ableton Live offers a feature called ‘Resampling' that is available from any audio track's ‘Input Type' chooser menu. This option allows you to record the output of one or multiple tracks into a new, editable audio track. This approach will give you an exact copy of source material with the same bit depth as the original or what is set in Live's Preferences.
Ableton recommends setting internal recording to 32 bits to ensure neutral recordings of plugin instruments and any audio signals that are being processed by effects plugins. Please note, that if the source audio is already at a lower bit depth, internal recording at that bit depth will also be neutral assuming that no effects are used. In addition, internally recording an unprocessed 16 bit audio file at 32 bits will not increase the sound quality. Also, keep in mind that the bounced audio will use the ‘Warp Mode' set in Live Preferences which could affect the playback quality.
When ‘Resampling' audio, there are a few other things to be mindful of that can alter the results. The ‘Resampling' option will route the Master output to that track. You can decide on what exactly will be resampled by muting or soloing the tracks that are feeding the Master output. Be aware of the signal path and the effects the signal is passing through before it reaches the Master output. For example, if you solo a track within a group and resample it, the results will capture any effects on that track, the group track, the Master channel, and any Return tracks that the source audio is sent to with the Send controls. If you only want the unprocessed signal to be resampled, first deactivate any effects along the signal path as well as any Return tracks.
How to Resample Audio
Setting up a track or a group of tracks to resample is fairly easy. You can bounce audio in either Session View or Arrangement View.
- Create a new Audio Track below the MIDI or Audio Track you would like to resample.
- Select ‘Resampling' from the tracks ‘Audio From' chooser menu.
- Arm the ‘Resampling' track for recording by clicking the tracks ‘Record' button.
- Solo the track or group of tracks you wish to resample.
- Enable the ‘Arrangement Record' button in the transport controls at the top of Live's interface to begin recording.
Freeze and Flatten Audio
Ableton Live has an extremely useful ‘Freeze Track' feature that can greatly help manage the CPU load of your project or be used to quickly resample audio. Freezing a track temporary renders a pre-fader bounce of the tracks output signal which includes all devices and automation. The frozen track can be unfrozen anytime if you wish to make edits with the ‘Unfreeze Track' command available from the same Edit menu. A frozen track conserves CPU usage because it will play back its ‘Freeze File' rather than repeatedly calculating processor-intensive device and clip settings in real time. However, once a track is frozen, you can no longer edit clip settings, device parameters or automation. Although as a pre-fader bounce, mixer controls such as volume, panning, and send amounts are all still available to adjust or automate.
Under ' Select rar file to convert ', click on browse (or your browser equivalent) Select the file you wish to convert. Click 'Convert to PDF'. It will list all the PDF files in the rar archive. Convert rar pdf. Online converter. Converting a file rar. Online converter. Transform a file rar. First, you need to add a file for conversion: drag & drop your RAR file or click inside the white area for choose a file. Then click the 'Convert' button. When RAR conversion is. As far as we know, you can't convert any random RAR file to PDF directly, simply because RAR is a compressed file archive and PDF is a document. Of course there might be one or more.pdf files located within the archive, so you can simply extract the.rar file to get them. But a direct rar to pdf conversion is extremely unlikely. Step 1 Select the RAR file or drag it onto the page. Step 2 Select PDF or any other format you want to convert the file into (more than 50 supported formats). Rar to pdf converter online.
The ‘Freeze Track' feature can also be used to resample audio. You can commit a frozen track to audio by either creating a new Audio Track and dragging the frozen audio to the new track or by selecting the ‘Flatten' command from the Edit menu to permanently render the frozen track to audio. Freezing and flattening tracks completely replaces the original clip and all devices with a new audio file. The rendered results will include any device or clip settings and automation.
When Freezing and flattening audio, there are a few things to be mindful of that are different from resampling audio. Frozen tracks are rendered as 32 bit files and not the same bit depth as the original material, which ensures that they will not be lower quality than the audio heard prior to freezing. However, there are some special cases that result in non-neutral behavior and should be noted. Frozen and flattened tracks in Arrangement View will include audio material that extends beyond the end of the clip itself, such as reverb tails and delay repetitions. Frozen and flattened tracks in Session View, on the other hand, will cut off audio material that extends beyond the end of the clip after freezing. In addition, frozen clips are always played back and rendered with ‘Warp' on and in ‘Beats Mode,' which means they are subject to the same non-neutral behavior as any other Warped audio files and may sound different from the original material.
Ableton Push Dj Setup
How to Freeze and Flatten Audio
Ableton Record Dj Set
Using a lot of instruments and audio effects in your project can quickly overload CPU resources. Bouncing tracks to audio is an invaluable approach to freeing up CPU usage or memory limitations.
Creative Reasons
There are many more creative possibilities available when working with audio vs. working with MIDI. Audio is extremely flexible and allows you to do fun things in Live such as reversing, time-stretching, slicing, resampling, and many other artistic editing approaches.
Progressive Workflow
Bouncing tracks to audio commits your ideas and crystallizes your focus. When working with MIDI, it can be easy to fall into a vicious cycle of continuously changing things, essentially slowing down your workflow. Committing your ideas gives you direction and momentum to move forward and complete projects.
Visualization
Having the ability to visualize audio waveforms is much more helpful than looking at MIDI notes. With audio, you can hone in on the waveform and make ultra-precise editing moves such as applying fades to remove pops and clicks, adjusting the timing, observing waveform levels, investigating sound problems, and more.
Saving for Future Projects or Collaborating
Audio files are much more manageable and easier to save for future projects. In addition, you may want to work on another computer or collaborate with someone that may not have the same plugins you used or even find that you lost an instrument's' preset in a crash. Audio files ensure you always have your sounds ready to go anywhere and on any computer.
Resampling Audio
Ableton Live offers a feature called ‘Resampling' that is available from any audio track's ‘Input Type' chooser menu. This option allows you to record the output of one or multiple tracks into a new, editable audio track. This approach will give you an exact copy of source material with the same bit depth as the original or what is set in Live's Preferences.
Ableton recommends setting internal recording to 32 bits to ensure neutral recordings of plugin instruments and any audio signals that are being processed by effects plugins. Please note, that if the source audio is already at a lower bit depth, internal recording at that bit depth will also be neutral assuming that no effects are used. In addition, internally recording an unprocessed 16 bit audio file at 32 bits will not increase the sound quality. Also, keep in mind that the bounced audio will use the ‘Warp Mode' set in Live Preferences which could affect the playback quality.
When ‘Resampling' audio, there are a few other things to be mindful of that can alter the results. The ‘Resampling' option will route the Master output to that track. You can decide on what exactly will be resampled by muting or soloing the tracks that are feeding the Master output. Be aware of the signal path and the effects the signal is passing through before it reaches the Master output. For example, if you solo a track within a group and resample it, the results will capture any effects on that track, the group track, the Master channel, and any Return tracks that the source audio is sent to with the Send controls. If you only want the unprocessed signal to be resampled, first deactivate any effects along the signal path as well as any Return tracks.
How to Resample Audio
Setting up a track or a group of tracks to resample is fairly easy. You can bounce audio in either Session View or Arrangement View.
- Create a new Audio Track below the MIDI or Audio Track you would like to resample.
- Select ‘Resampling' from the tracks ‘Audio From' chooser menu.
- Arm the ‘Resampling' track for recording by clicking the tracks ‘Record' button.
- Solo the track or group of tracks you wish to resample.
- Enable the ‘Arrangement Record' button in the transport controls at the top of Live's interface to begin recording.
Freeze and Flatten Audio
Ableton Live has an extremely useful ‘Freeze Track' feature that can greatly help manage the CPU load of your project or be used to quickly resample audio. Freezing a track temporary renders a pre-fader bounce of the tracks output signal which includes all devices and automation. The frozen track can be unfrozen anytime if you wish to make edits with the ‘Unfreeze Track' command available from the same Edit menu. A frozen track conserves CPU usage because it will play back its ‘Freeze File' rather than repeatedly calculating processor-intensive device and clip settings in real time. However, once a track is frozen, you can no longer edit clip settings, device parameters or automation. Although as a pre-fader bounce, mixer controls such as volume, panning, and send amounts are all still available to adjust or automate.
Under ' Select rar file to convert ', click on browse (or your browser equivalent) Select the file you wish to convert. Click 'Convert to PDF'. It will list all the PDF files in the rar archive. Convert rar pdf. Online converter. Converting a file rar. Online converter. Transform a file rar. First, you need to add a file for conversion: drag & drop your RAR file or click inside the white area for choose a file. Then click the 'Convert' button. When RAR conversion is. As far as we know, you can't convert any random RAR file to PDF directly, simply because RAR is a compressed file archive and PDF is a document. Of course there might be one or more.pdf files located within the archive, so you can simply extract the.rar file to get them. But a direct rar to pdf conversion is extremely unlikely. Step 1 Select the RAR file or drag it onto the page. Step 2 Select PDF or any other format you want to convert the file into (more than 50 supported formats). Rar to pdf converter online.
The ‘Freeze Track' feature can also be used to resample audio. You can commit a frozen track to audio by either creating a new Audio Track and dragging the frozen audio to the new track or by selecting the ‘Flatten' command from the Edit menu to permanently render the frozen track to audio. Freezing and flattening tracks completely replaces the original clip and all devices with a new audio file. The rendered results will include any device or clip settings and automation.
When Freezing and flattening audio, there are a few things to be mindful of that are different from resampling audio. Frozen tracks are rendered as 32 bit files and not the same bit depth as the original material, which ensures that they will not be lower quality than the audio heard prior to freezing. However, there are some special cases that result in non-neutral behavior and should be noted. Frozen and flattened tracks in Arrangement View will include audio material that extends beyond the end of the clip itself, such as reverb tails and delay repetitions. Frozen and flattened tracks in Session View, on the other hand, will cut off audio material that extends beyond the end of the clip after freezing. In addition, frozen clips are always played back and rendered with ‘Warp' on and in ‘Beats Mode,' which means they are subject to the same non-neutral behavior as any other Warped audio files and may sound different from the original material.
Ableton Push Dj Setup
How to Freeze and Flatten Audio
Ableton Record Dj Set
Bouncing audio with the ‘Freeze Track' and ‘Flatten' commands is less involved than resampling tracks. Below is a quick guide to achieving this method.
- Right-click any track you wish to bounce and select ‘Freeze Track' from the Edit menu. Be aware that it is not possible to freeze a Group Track.
- Once a track is frozen, right-click the track again and select ‘Flatten' from the Edit menu. Alternatively, you can create a new Audio Track and drag the frozen audio to that track.
Ableton Live Producer Certificate Program
At Dubspot our world-class instructors provide the most complete and cutting-edge Ableton Live learning experience. Ableton 11 suite. The Ableton Live Producer Certificate Program is the flagship of our music training. After completing this program, you will leave with a portfolio of original tracks, a remix entered in an active contest, a scored commercial to widen your scope, and the Dubspot Producer's Certificate in Ableton Live.
About This Program
How To Master In Ableton
This program is about learning Ableton Live by going through the entire process of being an artist, by developing your own sound through a series of sketches and experimentation. You will also learn the ins and outs of this powerful software through a series of exercises designed to help you master the steps involved in producing your own music. After a level of getting familiar with the tools that Ableton has to offer, you will then develop your sonic ideas into full-length tracks. You will be exposed to a variety of approaches to arrangement and composition, storytelling techniques, ways of creating tension and drama in your music. At the end of the day, it is the sum total of your choices as an artist that define your sound, and levels 2 – 6 will give you the experience of actually completing tracks to add to your portfolio.
What's Included
- Ableton Live Level 1: Beats, Sketches, and Ideas
- Ableton Live Level 2: Analyze, Deconstruct, Recompose, and Assemble
- Ableton Live Level 3: Synthesis and Original Sound Creation
- Ableton Live Level 4: Advanced Sound Creation
- Ableton Live Level 5: Advanced Effect Processing
- Ableton Live Level 6: Going Global with your Music
Overview
- Dubspot's complete Ableton course load: six levels/48 class sessions
- 132 hours of hands-on instruction
- Additional lab hours to work on assignments in Dubspot's onsite facilities
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Additional Information
Visit the Ableton Live course page for detailed information on this programhere.
If you have questions, please call 877.DUBSPOT or send us a message.